Relaunched last year the Film Society Film of the Year Award celebrates the most popular film among film society and community cinema audiences. Voted for by community exhibitors across the UK the award is presented at our annual Film Society of the Year Awards.
We invite all community exhibitors and their audience to nominate their favourite film from the 2013/14 season and the film with the most votes will be awarded the Film Society Film of the Year. The only restriction is that the film must have been shown at your community cinema after 1st September 2013. To register your vote click here.
This year’s ceremony will take place on the 27 September during the Cinema For All National Conference. To book your place check out our Eventbrite page here.
Last year Untouchable was the winner, after proving to be a huge hit with audiences up and down the country. The multi award-winning French drama was based on the true story of Phillippe Pozzo di Borgi, a businessmen who was left severely paralysed after a para-gliding accident and who hires a young man from the projects to be his carer – against the advice of his family. The directors, Eric Toledano and Olivier Nakache, sent in a lovely video message accepting the award and thanking community cinemas for supporting the film.
The last year has seen a tremendous number of great films screened across the community cinema sector and we can’t wait to find out which ones have been the favourites. To get you thinking about your favourite film we’ve selected several highlights below – but don’t forgot to tell us which was your Film Society Film of the Year!
A Hijacking | Tobias Lindholm | Denmark | 2012 | 99 mins
Arriving several months before Hollywood’s own piracy drama Captain Philips, A Hijacking is a perfectly crafted, achingly tense hostage thriller. When the crew of the MV Rosen are taken hostage by Somalian pirates the CEO of the shipping company lurches into a protracted and exasperating negotiation process. While he tries to resolve the situation the crew of the ship suffer in cramped and humid conditions with the threat of a violence constantly hanging over them.
No | Pablo Larrain | 2012 | Chile, France, USA | 118 mins
A Booking Scheme smash hit, No stars Gael Garcia Bernal in the final part of Pablo Larrain’s loose Pinochet trilogy. Bernal is Saavedra an advertising executive who is reluctantly convinced to take on the No campaign in the upcoming referendum on Pinochet’s continuing presidency. Though the election was widely viewed as a corrupt and empty show of the democratic process the No campaign very quickly picks up a startling level of support and the possibility of ending Pinochet’s dictatorship starts to seem within sight.
The Great Beauty | Paolo Sorrentino | 2013 | Italy, France | 135 mins
Winner of the Foreign Language at this year’s Oscar ceremony, Paolo Sorrentino’s latest film is a sumptuous and glorious achievement. Toni Servillo, Sorrentino’s regular collaborator stars as Jep Gambardella, a talented but lazy writer who after a phenomenal debut novel has neglected his art and set about dominating Rome’s decadent nightlife. On the cusp of his 65th birthday though he begins to take stock of his life and of his city.
Gloria | Sebastian Lelio | 2013 | Chile | 110 mins
Receiving a rapturous reception on the festival circuit, particularly for Paulina Garcia, the eponymous Gloria, Sebastian Lelio’s film is a triumphant celebration of the indefatigable Gloria. Divorced and with her grown up kids growing distant Gloria is determined not to remain alone and starts attending Santiago’s nightclubs. She soon meets a retired naval officer Rodolfo with whom she shares an immediate attraction. But Rodolfo’s own divorce has left him markedly less free-spirited than Gloria and their relationship starts to falter.
Gravity | Alfonso Cuaron | 2013 | USA, UK | 88 mins
Alfonso’s Cuaron’s space disaster was equally adored for its photo-real special effects which allowed for one of the most immersive space-set films ever, and it’s crucial central performance from Sandra Bullock. Eschewing the stereotype that films so reliant on special effects skimp on strong characters, Bullock’s Dr Stone is the perfect anchor around which the action circles. Kicking off with a jaw-dropping 20 minute take, Gravity starts with a routine spacewalk that turns into a desperate fight for survival when a satellite crash leaves Stone stranded in space.
Philomena | Stephen Frears | 2013 | UK, USA, France | 97 mins
Telling the true story of Philomena Lee and her 50 year search for the son that was forcibly adopted from her Philomena was one of the most successful British films this year. Judi Dench stars as Philomena whose son was given up for adoption by the convent that she went to to give birth. Working on her own Philomena spent nearly 50 years searching for her son until her daughter contacted the journalist Martin Sixsmith who agreed to help Philomena with the search. Their investigation takes them to America and where they encounter a series of dramatic revelations.
The Act of Killing | Joshua Oppenheimer | 2012 | Denmark, Norway, UK | 115/159 mins
A surreal, unforgettable documentary that gets at the very question of man’s capacity for evil, Oppenheimer’s extraordinary film raises pertinent and uncomfortable questions. When his attempts to document the stories of the survivors of the Indonesian genocide were thwarted by the government Oppenheimer turned the camera on the perpetrators themselves, many of whom remain in positions of power. Startlingly comfortable talking about the horrific actions they undertook Oppenheimer plays on their love of American movies and invites them to re-enact their actions in the style of their favourite films. In the process the killers inadvertently force themselves to see their actions from the viewpoint of their victims.
Like Father, Like Son | Hirokazu Kore-eda | 2013 | Japan | 121 mins
Two families are notified by the hospital that their children were accidentally swapped at birth, 6 years before. The hospital recommends they slowly reintroduce their son’s to their biological families. The fable-like set-up allows Kore-eda to contrast different styles of upbringing – Ryota is a wealthy but strict father while Yudai struggles to keep his shop open but keeps his large family constantly entertained. While the parents try to determine what the best outcome is the children get on with enjoying their new extended families. A rewarding and touching drama with a huge heart.
The Selfish Giant | Clio Barnard | 2013 | UK | 87 mins
Updating Oscar Wilde’s story to working class England, The Selfish Giant is a brilliant social-realist tale. Arbor and Swifty are two working class kids who are expelled from school after Arbor intercedes in a fight between Swifty and the school bullies. The expulsion gives them more times to pursue their hobby/job – stealing scrap metal to sell to the terrifying dealer Kitten, who inhabits a fenced off scrap heap. Kitten spies an opportunity to take advantage of the kids who are forced to rely on him for much needed cash.
Make your nomination for the Film Society Film of the Year Award here – and we hope to see you in Sheffield in September!